Fairytale curious, summer 2026
Dear friends,
If you keep up with socials, you may have noticed that I’ve been absent. I feel burned out with the information overload, so I’m taking a break. This has cleared some space for me to really focus on my poetry and memoir manuscripts.
My memoir answers the question, “How did becoming a mother redraw the map of my trauma—and how did I mark those changes?” Completing the “essential question” activities over the past quarter was really helpful for me to begin to tell my story slant.
As I’ve been revising my memoir, Awakened Wild, I’ve also noticed how much I’ve fallen in love with the fairytale genres. The forest imagery, the reliance of the ordinary characters on their own wiles to make magic, the adventure of being lost–these tenets appeal to me as I write about my post-traumatic growth.
Here is an excerpt from my poem, “Fairytale”:
I.
Once upon a time there was a poet
who didn’t trust her imagination.
She relied upon her family stories
or her daily whims.
She could not just
make up a story out of her brain;
She didn’t trust her body to speak—
disconnected to stones, the sun, the sea . . .
Read the full poem at Carmina Magazine (March 2026 edition).
I’ve also been fiddling around with my poetry manuscript, Immigrant Atlas, a narrative poem collection about the inter-generational trauma of my Irish-American immigrant upbringing. I trace the broken lineage of my family stories by going backwards in time to revisit my grandmother and great-grandmother’s lives. I learn to claim new stories as my own. Sharon Blackie calls us “mythical misfits” because we find new stories when the old ones no longer fit us.
I’ve been spending time with the collection in tender ways–thanking it for changing me–and squeezing it close to me while I can, knowing that I am also trying to give her away to readers (with a publication deal).
Life has a way of showing me the next step in my poetry life, and the signs are leading me towards hybrid-mind. The poetry collection Immigrant Atlas is really a memoir-in-verse. The memoir Awakened Wild is morphing into a therapeutic writing card deck.
Can I continue to trust this slow unfolding and believe it’s all interconnected? Being off socials has given me firm footing about prioritizing my poetry in the stillness and mystery that only the call of language can do for me. But I still want to connect with readers, with my journaling tribe, and with other women who are trauma survivors.
So, yes, I’m trusting the way the imagination works slowly for me, and doing less.
I’m still teaching, taking classes at the Therapeutic Writing Institute, and holding student workshops with Wellness CNM.
I am praying that your life holds the magic of a fairytale and you are embracing the paradoxes of life–like a woman lost and wise at the same time–forest bathing, living into the riddles, and inviting others in to the beauty of your presence.
Wishing you a luscious summer, Maggie


